备注:已完结
类型:爱情
导演:扬·高能
语言:普通话
年代:未知
简介:1913年的巴黎,可可·香奈儿(安娜·莫格拉莉丝AnnaMouglalis饰)在俄国作曲家伊戈尔·斯特拉文斯基(麦德斯·米科尔森MadsMikkelsen饰)的《春之祭》首演中首次注意到了这位被观众的嘘声与喧哗沉重打击的音乐天才。七年后,二人再次相遇,可可慷慨邀请因俄国革命而流亡法国的伊戈尔携乐评人妻子卡特琳娜(伊莲娜·莫罗佐娃YelenaMorozova饰)和四名子女搬入自己在巴黎郊外的府邸。随着时间的流逝,可可与伊戈尔之间愈发相互吸引。与此同时,可可也在积极研发自己品牌的香水。病中的卡特琳娜还是察觉了自己丈夫对可可的激情,三人的关系变得越来越紧张…爱情公寓3快播下载
备注:已完结
类型:剧情
主演:西岛秀俊 香川照之 真木阳子 松坂桃李 伊势谷友介 北野武 长谷川博己
导演:羽住英一郎
语言:日语
年代:未知
简介: “百舌之乱”引起的一连串波澜渐渐平息,查清妻子死亡真相的警视厅公安部特务第一课警部仓木尚武(西岛秀俊饰)失去前进的方向,日益消沉。搜查一课警部补大杉良太(香川照之饰)看透了警界的黑暗,转而成为一名私家侦探。平静的日子里,恐怖事件突然爆发。冷血杀手权藤刚(松坂桃李饰)带领手下袭击并爆破某高层建筑。与此同时,几个蒙面人试图劫持某国大使馆的汽车,被偶然路过的仓木阻挠。以此为契机,仓木和大杉、明星美希(真木阳子饰)再度碰头,一度被遗忘的达摩重新占据了众人的脑海仙剑奇侠传3高清 妻子和女儿死亡的背后似乎还有未曾解开的秘密,仓木于是只身前往海外,追寻着企图劫持全日本的达摩的踪迹……
备注:已完结
类型:欧美剧
主演:Craig Olejnik Lisa Marcos Ennis Esm
导演:未知
语言:英语
年代:未知
简介:《倾听者》的故事围绕着TobyLogan(CraigOlejnik饰演),一个25岁的救护人员,他却有个天大的秘密--他是个通灵者。一直里来,Toby隐藏起他的能力,只与他的老朋友亦是导师--RayMercer医生--对其略作试探。在他跟自己活力充沛的救护搭档“Oz”Bey(EnnisEsmer饰演)值班工作的过程中,“TheListener”的镜头紧随着Toby尽力帮助那些处于危急之中的人们,并在此期间,逐步揭露他过去的真相。他的工作岌岌可危的同时,Toby的私人生活也不尽如人意。在探长CharlieMarks(LisaMarcos饰演)和急诊医生/前女友OliviaFawcett(MylèneDinh-Robic饰演)的帮助下,Toby意识到他的能力能够帮助他人爱情公寓第二季快播
备注:已完结
类型:欧美剧
主演:梅莉莎·班诺伊 克里斯蒂娜·埃尔莫尔 娜塔莎·贝赫纳姆 莱斯利·弗莱
导演:未知
语言:英语
年代:未知
简介: 改编自AmyChozick的畅销书《ChasingHillary》。讲述4个女记者密切跟进一群有污点的美国总统候选人,并在过程中找到友谊、爱和丑闻爱情公寓3qvod
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类型:战争
主演:Andrzej Banaszewski Beata Barszczew
导演:斯坦尼斯拉夫·罗泽维格
语言:其它
年代:未知
简介: In1961,StanislawRozewiczcreatedthenovellafilm"BirthCertificate"incooperationwithhisbrother,TadueszRozewiczasscreenwriter.Suchbrothertandemsarerareinthehistoryoffilmbutasidefromfamilyties,Stanislaw(bornin1924)andTaduesz(bornin1921)weremutuallyboundbytheirloveforthecinema.TheywerebornandgrewupinRadomsk,asmalltownwhichhad"itsmadmenanditssaints"andmostimportanly,the"Kinema"cinema,asStanislawrecalls:forhimcinemais"heaven,thewholeworld,enchantment".Tadeuszsaysheconsiderscinemabothacharmingmarketstallandamysterioustemple."Allthissavagelandhasalwaysattractedandfascinatedme,"hesays."IamdevouredbycinemaandIdevourcinema;I'macinemaeater."ButTadueszRozewicz,aneminentwriter,admitsthisuniqueformofcooperationwasaproblemtohim:"Itisthepresenceoftheotherpersonnotonlyintheprocessofwriting,butatitsverycore,whichisinserperableformefromabsolutesolitude."Somescenesthebrotherswrotetogether;otherswerecreatedbythewriterhimself,followingdiscussionswiththedirector.Butfromtheperspectiveoftime,itis"BirthCertificate",ratherthan"Echo"or"TheWickedGate",thatTadueszdescribesashismostintimatefilm.Thisisunderstandable.ThetradgeyfromSeptember1939inPolandwasfortheRozewiczbrotherstheirpersonal"birthcertificate".Whenworkingonthefilm,thedirectorsaid"Thistimeitisallaboutshakingoff,gettingridofthepsychologicalburdenwhichthewarwasforallofus....Cooperationwithmybrotherwasinthiscaseeasier,aswesharemanywarmemories.Wewantedtoshowtoadultviewersapictureofwarasseenbyachild....Inreality,itistheadultswhocreatedtherealworldofmassacres.Childrenbeheldthehorrorscomingbacktolife,exhumedfromunderneaththeground,overwhelmingtheearth."千夜一夜的梦 Theprincipleofcompositionof"BirthCertificate"isnotobvious.Whenwatchinganovellafilm,wetendtothinkintermsoftraditionaltheatre.Weexpectthataminiaturestorywillfinishwithasharppoint;thethreefilmnovellasinRozewicz'sworklackthisfeature.Wedonotknowwhatwillbehappentotheboymakinghisalonethroughtheforesttowardstheendof"OntheRoad".Wedonotknowwhetherin"LetterfromtheCamp",thehelpofferedbythesmallheroestoaSovietprisonerwillrescuehimfromtheunknownfateofhiscompatriots.ThefateoftheJewishgirlfrom"DropofBlood"isalsounclear.Willshekeephernewimpersonationas"MarysiaMalinowska"?OrwilltheNazismakeherintoarepresentativeofthe"Nordicrace"?Thosequestionswereaskedbythedirectorforareason.Hepreceivedwaraschaosandperdition,andnotaslinearhistorythatcouldbereflectedinaplot.Although"BirthCertificate"issaturatedwithmoralcontent,itdoesnotaimtobeamoralityplay.Butwiththeimmensepressureofreality,novarientoffateshouldbeexcluded.ThisapproachedcanbecomparedwthKrzysztofKieslowski's"BlindChance"25yearslater,whichpictureddramaticchoicesofadifferentera. Thefilmnovella"OntheRoad"hasaverysparingplot,butitdrewspecialattentionofthereviewers.TheominatingovertoneofthewarfilmscreatedbythePolishFilmSchoolatthattimeshouldbekeptinmind.MainlyowingtoWajda,thosefilmsdealtwithromanticheritage.Theywerepermeatedwithpathos,bitterness,andirony.Rozewiczisanextraordinaryartist.Whennarratingastoryaboutaboylostinawarzone,carryingsomedocumentsfromtheregimentofficeasiftheywereatreasure,thenarratorin"OntheRoad"discoversroughprosewhereoneshouldfindpoetry.Andsuddenly,theirrationaltouchesthisrathertameworld.Theboy,whountilthatmomentresembledaPolishversionoftheGoodSoldierSchweik,setsoff,likeDonQuixote,forhisfirstandlastbattle.Acriticdescribeditas"anabsurdgestureandsomeoneelsecouldsurelyuseittocriticisethePolishstyleofdying....ButtheRozewiczbrothersdonoaccuse:theyonlycomposeanelegyforthepicturesquepeasant-soldier,probablythemostimportantveteranofthePolishwarof1939-1945.""BirthCertificate"isnotaloftystatementaboutnationalimponderabilia.ThefilmrevealsaplebeianperspectivewhichAleksanderJackieqiczoncecontrastedwiththose"lyricallamentations"inherentintheKordiantradition.However,ahistoricaloverviewofRozewicz'sworkshowsthatthedistinctivestyledoesnotsignifyafundamentaldifferenceinillustratingthePolishSeptember.JustasthememorablescenefromWajda's"Lotna"wasinfactanexpressionofdesperationanddistress,thesameemotionspermeatethefinalsceneof"BirthCertificate".Thesearenotideologicalconcepts,thoughoncedescribedassuchandferventlydebated,butratherpsychologicalcreations.Inthisspecificcase,observesWitoldZalewski,itisnotaboutmanifestingknightlypride,butaboutagestureofasimplemanwhodoesnotagreetobeenslaved. Thenovella"DropofBlood"is,withAleksanderFord's"BorderStreet",oneofthefirstnarrationsofthefateofthePolishJewsduringtheNazioccupation.Thestoryaboutagirlliterallylookingforherplaceonearthhasadramaticdimension.Especiallyintheageoftoday'sjournalisticdisputes,oftenmanipulative,lackinginempathyandimbuedwithbadwill,Rozewicz'sstoryfromthepastshockswithitsauthenticity.ThesmallherioneofthestoryistheonlyonewhosurvivesaGermanraidonherfamilyhome.Physicalsurvialdoesnot,however,meanareturntonormality.Herfrighteneddeparturefromtherubbishdumpthatwasherhideoutleadhertoaruinedapartment.Herwalkarounditispainfulbecausestillfreshsignsoflifearemixedwithevidenceofannihilation.Helpisneeded,butMirkadoesnotknowanyoneintheoutsideworld.Hersubsequentattemptsexpressthestateofthefugitive'sspirits-fromhopeandfaith,movingtodoubt,asenseofoppression,andthickeningfear,andfinallytodespair. Atthesametime,theJewishgirl'ssearchforrefugeresemblesthestateofPolishsociety.TheappearanceofMirkaresultsinconfusion,andlater,trouble.ThiswasalreadysignalledbyRozewiczinanexceptionalscenefrom"LetterfromtheCamp"inwhichtheboy'sneighbour,seeingafugitiveRussiansoldier,retreatsimmediately,admittingthat"Now,peopleworryonlyaboutthemselves."Suchembarassingexcusesmaskfear.Duringtheoccupation,noonefeelssafe.Neithersocialstatusnottheaegisofacharityorganisationprotectsagainstrepression.WeseethepotentialguardiansofMirkapassingherbackandforthamongthemselves.Thesearefriendlyhandsbuttheycannotofferstrongsupport.Thestorytakesplaceonthatthinlinebetweensolidarityandheroism.Solidarityarisesspontaneously,butonlysomearecapableofheroism.Helpforthegirldoesnotalwaysresultfromcompassion;sometimesitisbasedonpastrelationsandpersonalties(aneighbourofthedoctortakesinthefugitiveforafewdaysbecauseofpastfriendship).Rozewiczportraysallofthisinasubtleway;eventhesmallestgesturehassignificance.Take,forexample,theconversationwithastrangeronthetrain:short,asifjotteddownonthemargin,butsofulloftension.Andearlier,apeculiarexaminationofPolishness:the"HolyFather"prayerforcedonMirkabythevillageboystocheckthatsheisnotaJew.Wouldnotrisingtothechallengemeanadeathsentance? Viewedaftermanyyears,"BirthCertificate"disclosesyetanotherqualitythatisnotpresentintheworksofthePolishSchool,butisprominentinlaterB-classwarfilms.Thisisthepictureofeverydaylifeduringthewarandoccupationoutlinedinthethreenovellas.Itharmoniseswiththelogicofspeakingabout"lifeafterlife".SmallheroesofRozewiczsuddenlyentertherealityofwar,withnoexperienceorscalewithwhichtocompareit.Forthem,thepresentisanaturalextensionofandatthesametimeacompletenegationofthepast.Considerthesleeysmall-townmarketplace,throughwhicharmouredcolumnswillshortlypass.OrmeettheGermanmotorcyclists,wholooklikealiensfromouterspace-apicturetakenfromanautopsybecausethisishowStanislawandTadueszperceivedthefirstGermanstheyevermet.Notetheblurredsilhouettesofpeopleagainstawhitewallwhoarebeingshot-atfirsttheyareshocking,butsoontheywillprobablybecomeapartofthegrimlandscape.Inthecitycentrestandsaprisonercamponasoddenbog("Peopleperishlikesflies;thebodiesaretransportedduringthenight");inthestreetthechildernarerunningafteracoalwagontocollectsomepreciouspiecesoffuel.There'sabustlearoundsomefood(aboyreproacheshisyoungerbrother'sactionsbysinging:"Thewarrantofficer'ssonisbegginginfrontofthechurch?I'mgoingtotellmother!");andthekitchen,whichoneeveningbecomestheprosceniumofarealdrama.Andtherearethesymbols:abarofchocolateforceduponaboybyaWehrmachtsoldier("OntheRoad");apairofshoesbelongingtoZbyszek'sfatherwhichtheboyspontaneouslygivestoaRussianfugitive;apricelesssliceofbread,ground undertheheelofapolicemanintheguter("LettersfromtheCamp").Asthedirectorputit:"Ineveryfilm,Icommunicatemyownvisionoftheworldandofthepeople.Onlythenthestylefollows,thedefinedwayofexperiencingthings."InBirthCertificate,headds,hisapproachwasdrivenbythesubject:"Iattemptedtocreatenotonlythetextureofthedocumentbutalsotoaddsomepoeticelement.Iknowitisriskybutasforthemergerofdocumentationandpoety,oftenhiddenverydeep,ifonlyitmanagestomakeitswayontothescreen,itresultsinwhatcanreferredtoas'art'." After1945,therewerenumerousfilmscreatedinEuropethatdealtwithwarandchildren,including"SomewhereinEurope"("ValaholEuropaban",1947byGezaRadvanyi),"Shoeshine"("Sciescia",1946byVittoriodeSica),and"ChildhoodofIvan"("Iwanowodietstwo"byAndriejTarkowski).Yettherewerefewerthanonewouldexpect.Pursuingasubjectsoimbuedwithsentimentalismrequiresstylisticdisiplineandaspecialabilitytomanagechildactors.Theauthorof"BirthCertificate"masteredboth-anditwasnotbychance.StanislawRozewiczwasalwaysthebeneficentspiritofthefilmmilieu;hecouldunitepeoplearoundacommongoal.Heemanatedpeaceandsensitivity,whichflowedtohisco-workersandpupils.Afilm,beingagroupwork,necessitatessomeformofempathy-tuninginwithothers. InabiographicaldocumentaryaboutStanislawRozewiczentitled"Walking,Meeting"(1999byAntoniKrauze),thereisabeautifulscenewhenthedirector,afterafewdecades,meetsBeataBarszczewska,whoplaysMireczkainthenovella"DropsofBlood".Thewomanfallsintothearmsoftheelderlyman.Theyarebothmoved.Hewondershowmanyyearshavepassed.Sheanswers:"Afewyears.Nottoomany."AndRozewicz,withhischaracteristicsmilesays:"Itistrue.Wespentthisentiretimetogether."